The Woman Who Wouldn't Die Quietly by Bivald

THE WOMAN WHO WOULDN'T DIE QUIETLY by Katarina Bivald (The Readers of Broken Wheel Recommend and more ) is the third book in Bivald’s series about Berit Gardner and her friend, DCI Ian Ahmed. I have developed real affection and even affinity for Berit’s character who loves her time alone: “she could have been fond of cities if it weren't for all the people in them.” In this cozy mystery, she is in Sweden at her grandmother’s cottage on an archipelago near Stockholm where she spent many happy summers. It’s late fall and winter, though, so the environment is cold and dark and Bivald deftly employs descriptions of the physical environment to add to the sense of menace and reflection. Berit and Ian are invited to a nearby island to celebrate the eightieth birthday of Margrethe Cullberg-Franzen, an especially abrasive woman who still leads her family’s art gallery business. That celebration ends in a tragic death leaving behind many family suspects and motives (revenge, greed, fear). More adventures - and another death - follow, as Berit and Ian and local police try to solve this puzzle. Publishers Weekly gave THE WOMAN WHO WOULDN'T DIE QUIETLY a starred review (“Bivald excels at surprise and misdirection, and she buttresses those mystery fundamentals with a psychologically complex lead and intoxicating Scandinavian atmosphere.”). A Reading Group Guide and Conversation with the Author are included. Enjoy!

Just sharing quotes from the preview, part of Berit’s rather comforting outlook:
“Even the most difficult things became more manageable if you faced up to them. Apprehension and unease only grew if you tried to escape them.”

“If nothing lasted forever, then that was part of what made having lived and existed so wonderful: the fact that the people she loved had lived, and that nature and the world around her would continue to do so even after she was gone.”

The Parisian Chapter by Janet Skeslien Charles

THE PARISIAN CHAPTER by Janet Skeslien Charles (Miss Morgan’s Book Brigade and The Paris Library) is another work of historical fiction closely tied to her other books. I have read and recommended those, but the latest (centered on Lily and her friend Mary Louise in 1995 Paris) was my least favorite mostly because it referenced the earlier work without sufficiently reprising the story for readers. Perhaps if I had read these titles more closely together than the five years between their publication, I would have felt differently. That said, I made my way through all of THE PARISIAN CHAPTER, enjoying the “found family” at the American Library in Paris and empathizing with the struggles of life as an expat (especially when one cranks Walking on Sunshine by Katrina and the Waves). Library Journal summed up the positives nicely, “A colorful tapestry shot through with themes of friendship, the power of books, the importance of history, and the joys and trials of an artist’s life. It’s told with charm and flair and filled with genuine joie de vivre.”

The Future Saints by Ashley Winstead

THE FUTURE SAINTS by Ashley Winstead was a LibraryReads Hall of Fame selection for January and deservedly so. This is a novel which deals with strong emotions shared through the actions of appealing characters. Hannah Cortland is the lead singer whose band is on its way down, due in part to the death a few months ago of their manager and in part to Hannah’s alcohol use and self-destructive behavior. In steps a new manager, Theo Ford, and the dynamics change rapidly as the band’s new and darker songs, along with some spectacular antics, build awareness and interest through social media. United in devastating grief, Hannah and the other band members (handsome bassist "Ripper" Ravishankar and gentle drummer Kenny Lovins) gradually accept Theo into their “found family.” Together, they push back against the pressures of sudden fame and corporate balance sheets, but not without some ruptures along the way. THE FUTURE SAINTS received starred reviews from Booklist (“emotional, unflinching story of grief and fame”) and Publishers Weekly (“readers will fly through the pages to find out whether Hannah will manage to tame her demons in time”). Highly recommended. 

Crochet a Quiet Book by Ariana Wimsett

CROCHET A QUIET BOOK by Ariana Wimsett is designed to “Create a Soft Book Full of Playful Pages.” Wimsett is a crochet designer and blogger who runs the Crafting Happiness website and YouTube channel. What a variety of cute projects! I especially like the 3 in 1 baby blankets on her site – my great-grandmother crocheted a baby blanket for me decades ago! Wimsett’s recent book is just 48 pages, but it is filled with pictures, charts, and helpful instructions to crochet a book/toy for a favorite baby. In addition to turning pages to look at the animals, the baby will have some wonderful tactile experiences – feeling a horse’s mane, moving a duck up and down, or flying some “busy” bees. The creation does not appear to be too difficult, and the colorful book could make a memorable family keepsake, too.

My Friends by Fredrik Backman

MY FRIENDS by Fredrik Backman (A Man Called Ove and many more) will have readers laughing out loud, but it will also make them incredibly sad. There is so much clever wordplay (read the first paragraph!) that I almost gave up highlighting. Yet, there is also a great deal of death and reflection upon carrying on without our friends: “when the love of our life falls asleep for the last time, because when the soul leaves the body, evidently the last thing it does is tie our shoelaces together. In the weeks following the death we trip over thin air. It's the soul's fault.” With grief as a companion, Backman builds a friendship between Louisa, a creative young woman aging out of the care system, and Ted, a former high school teacher trying to find renewed purpose. They are an unlikely pair who meet because of a painting (a source of solace for Louisa) and the artist (a dear friend of Ted’s) who painted it. Eventually riding together on a cross-country train journey, Ted reaches back twenty-five years to tell Louisa the story of his friendship with the artist, Joar, and Ali, all fourteen-year-old characters in the famous painting. There is quite a bit of physical pain and mental anguish in that story due primarily to the abusive violence exhibited by some of the teens’ relatives. Louisa shares some of her own painful stories of life in foster homes and a lost friend, called Fish. Throughout, Backman places a great deal of emphasis on youthful friendships and the healing power of creativity. He writes, “the ultimate expression of love is nagging, we don't nag anyone the way we nag the people we love. All parents know that, and so do all best friends.” Ted and Louisa banter, bond, get on each other’s nerves, and care for each other as their own friendship develops and the story continues, certain to surprise readers. MY FRIENDS is a LibraryReads Hall of Fame selection for May 2025 and received a starred review from Booklist (“Irrepressible humor, boundless grief, and eternal loyalty coalesce.”) As Ted remarks, “what I hate most isn't that people die. What I hate most is that they're dead. That I'm alive, without them.”  

The English Masterpiece by Katherine Reay

THE ENGLISH MASTERPIECE by Katherine Reay is described by the publisher as “perfect for fans of Kate Quinn and Ariel Lawhon.” Given that I enjoy their work (and Fiona Davis praised it, too) I truly expected to be able to recommend Reay’s latest historical fiction/mystery. The cover is beautiful and eye-catching, but the story moves slowly and the alternating narrators, young Lily and her boss, Diana, who work at London’s Tate Gallery, are not very engaging. Lily, especially, has issues of confidence and is constantly apologizing. Diana, though bravely battling misogyny in the 1970’s curation and art world in Britain, also struggles for recognition, especially from her older husband. They put on a terrific exhibition, but Lily naively (and publicly) calls Picasso’s Woman Laughing a forgery. Is it? Can she prove it? Will their careers survive? Why did she say that? Booklist calls THE ENGLISH MASTERPIECE “[a] fascinating look behind the scenes of art dealings and the workings of the museum;” hopefully readers interested in that aspect (like the Historical Novel Society which recommended this title) will have more patience than I did. The audiobook is narrated quite well by Fiona Hardingham and Saskia Maarleveld, but even listening at a higher speed does not really move the story along. 

I also just finished SOMEONE ALWAYS NEARBY by Susan Wittig Albert for a book group discussion. I was struck by the parallels since this, too, is historical fiction, about art, told by multiple narrators, and the younger main character apologizes profusely. Albert is writing about Georgia O’Keefe, and her “slave” (a term apparently used by O’Keefe), Maria Chabot. Chabot managed O’Keefe’s New Mexican properties for many years, apparently for little monetary reward. Once again, it is hard to understand the characters’ motivation. O’Keefe is described in third person and her thoughts about creativity and art are rarely shared. Instead, Maria relates a story (in first person) of exploitation for several decades beginning in the 1940’s. Albert clearly did a great deal of research; even though these women are not presented in a particularly flattering way, much of the book is based on the many letters between O’Keefe and Chabot. Albert also provides a list of recommended reading and her descriptions of the area rekindled my hope to visit New Mexico. 

Lessons from My Teachers by Sarah Ruhl

LESSONS FROM MY TEACHERS by Sarah Ruhl contains numerous essays which provide a memoir of sorts covering the period “From Preschool to the Present.” Ruhl, a prolific, talented writer and playwright, has been honored as a MacArthur genius, as a two-time Pulitzer Prize finalist, and with nominations for Tony Awards. Here, she reflects on the importance of teachers, citing those who impacted her, but also on the “teachable moments” that exist in all our lives. For example, Ruhl describes a conversation with theater students who stressed that “theater class was when they could feel and practice presence, that elixir of life; That well of possibility.” Ruhl goes on to comment on the use of phones, saying, “the more technological tools we have, the more presence seems just out of reach.” This insightful collection will prompt much discussion, especially amongst educators & those who value learning and the arts.  

The Library of Lost Dollhouses by Elise Hooper

THE LIBRARY OF LOST DOLLHOUSES by Elise Hooper shares the stories of Tildy, a young librarian living in present day San Francisco, and Cora, a talented artist who lived in the early twentieth century. Their connection is the Belva Curtis LeFarge Library where Tildy discovers two long hidden dollhouses. As the alternating stories enfold, readers learn about Cora’s early life, travels in Europe, love affairs with both men and women, and her time during and after World War I when she began creating the miniatures. Although the story is sometimes a bit too slow-paced, Hooper certainly motivates her readers to reflect on the contributions of little recognized female artists (for a novel with a similar theme, see Clara and Mr. Tiffany by Vreeland). For me, the best part of Hooper’s book was the description of the intricate, detailed work on the dollhouses and their contents. Both the Thorne Rooms (on display in Chicago) and Queen Mary’s Dolls’ House (near London) are mentioned in the book and Hooper explains that “there's actually a psychological rationale to explain our affinity for small things: dollhouses offer us a sense of control and imagination. They can provide a feeling of agency. Miniatures allow us to create the world as we'd like to see it.” The audiobook is narrated by Emily Rankin and Caroline Hewitt who provide a clear and entertaining account of Cora’s and Tildy’s adventures. THE LIBRARY OF LOST DOLLHOUSES is a bonus fiction pick for LibraryReads in April 2025. Booklist recommends it for fans of Kate Morton and Fiona Davis.

The Happy Writer by Marissa Meyer

THE HAPPY WRITER by Marissa Meyer is one of the better books that I have found about writing. I say that because it offers a myriad of practical suggestions and, as Meyer says, is written to connect the readers with their intrinsic love of writing as they “build a foundation of happiness, a love of words, a passion for telling stories, and appreciation of our own bizarre and beautiful imaginations.” Meyer divides her thoughts into six sections that deal with cultivating creativity, setting goals, crafting and revising a first draft, pursuing publication, overcoming common challenges, and finding big payoffs through little joys. For example, she mentions developing a story playlist and listening to different types of music. A very established and best-selling writer herself, Meyer has been providing similar pointers on her Happy Writer podcast and this text certainly offers suggestions on many, many ways to “Get More Ideas, Write More Words, and Find More Joy from First Draft to Publication and Beyond.” I received a preview copy of the text and an audiobook file read by the author. For me, Meyer’s voice was a bit strident, and I found it difficult to focus and retain so many ideas when listening. Personally, I would prefer a print version where I could scribble and highlight – and I would because her ideas are useful and motivating. Meyer even includes a list of sources and further reading like Joyful by Lee, plus writing classics like Bird by Bird by Anne Lamott or Stephen King’s On Writing.  Meyer has added a great pep talk for aspiring and established writers!

Anna Maria's Blueprint Quilting by Anna Maria Parry

ANNA MARIA'S BLUEPRINT QUILTING is the fourth book by Anna Maria Parry, an artist, seamstress and fabric designer. The quilts are absolutely stunning and she offers 16 projects ranging from beginner through confident beginner to intermediate and advanced. The text is organized so as to “Explore Color, Pattern, and Technique” and separate sections deal with these, covering topics like composition, material choice, and necessary tools. Anna Maria offers four “blueprints:” Grand Central (square), Triptych; Kiss on the Lips (an “X” style) and Color Study (using gradations).  Each project (there are 4 for each blueprint) includes notes on color choice, fabric, and cutting as well as sewing and assembly. Both photographs and colorful diagrams of the quilts are included. This is a very comprehensive book, although the projects seem large (mostly full-size quilts) and complex for the most part. A true feast for the eyes (see images below). In its starred review, Publishers Weekly praised: “Parry’s sophisticated artistic sensibilities [which] set this apart from standard quilting manuals.” 

 
Just by chance I saw a show on PBS about The Violet Protest which involved a grassroots movement using handmade textile squares as a form of social action and to promote unity across political positions. The roughly 30 minute documentary is available online at this link and embedded below:

Identity Designed: The Process by David Airey

IDENTITY DESIGNED: THE PROCESS by David Airey builds on his earlier work which deals with visual branding. Airey, an independent graphic designer from Northern Ireland, includes a section in his new text for each of these steps Research, Strategy, Design, Implementation. If nothing else, it will convince readers that the experts in this profession certainly have unique talents. Airey’s previous works, Logo Design Love and Identity Designed, each have an accompanying website and are often referenced in design courses. These are well worth the look as readers can investigate the rationale for and evolution of trademarks for the upcoming Paris Olympic Games, Guinness beer, and much more. Many of the projects also contain links to recommended printers, photographers, copywriters, web developers, and so on – quite an education in itself. This latest book is written primarily for designers and is somewhat text heavy, but filled with examples (Airey's acknowledgements recognizes almost two dozen studio contributors). The most poignant piece of advice? “If you think good design is expensive, you should look at the cost of bad design.”