As we look this year to America’s 250th anniversary, here are a couple of lengthy and ambitious non-fiction texts worth exploring.
THE WESTERNERS by Megan Kate Nelson is subtitled “Mythmaking and Belonging on the American Frontier.” Nelson, whose The Three-Cornered War was a finalist for the Pulitzer Prize, chooses to profile seven individuals who represent the diversity -- Indigenous peoples, Black Americans, Mexican Americans, and Canadian and Asian immigrants -- which is often ignored or forgotten but was present out West during the 1800s. She weaves together and overlaps stories featuring a biracial fur trader; the richest woman in Santa Fe; and Sacajewa, plus others like Little Wolf (a Northern Cheyenne chief); a soldier and gold miner; and female immigrants who remained resilient in the face of prejudice. Kirkus says that this very long title (464 pages) “sometimes plods,” but provides “a useful survey of the ‘messy, complicated lives of the real people who built the West.’” Booklist called it “a uniquely compelling look at the dynamism and conflict that defined the West.” THE WESTERNERS received a starred review from Publishers Weekly for its “richly layered portrait of the 19th-century frontier.” Nelson’s Epilogue section reprises how white Americans distorted facts and created myths in order to “fit a narrative that was compelling to them.” She concludes by stating, “If we do not acknowledge this expansive history of the West as a pivotal part of the nation's past, this erasure will continue the work of the frontier myth and usher us into an unjust future.”THE GUNFIGHTERS by Brian Burrough is another thoroughly researched and well-written text. In contrast to Nelson, Burrough focused on the violence associated with white male dominance and some of the more memorable characters (many familiar names) from the nineteenth century. I read this as part of a Texas book group, and it helped me to better understand some of the cultural underpinnings for Texans. For example, there is an apparently locally well-known song about Sam Bass, but even Burrough acknowledges that “perhaps the gunfighter legend is dimming.” He hypothesized that “A gunfighter's fame endures, in almost every case, in direct proportion to his engagement with the written word, because he either talked to a journalist or two, as Hickok did; wrote an autobiography, John Wesley Hardin’s route; fired off letters to governors and newspapers a la Jesse James and Billy the Kid; or became involved in a shootout so spectacular it drew national attention … Wyatt Earp” Beverly Gage (This Land is Your Land) says Burrough “tells his story as only a loving -- but conflicted -- son of Texas could.” Several maps, numerous footnotes, references, and an index are included.








