THE LOST PASSENGER by Frances Quinn is a work of historical fiction set primarily from 1910 to 1916 and features a young woman named Elinor Hayward whose father, a self-made man, is known in the Manchester area of England as the “cotton king.” After a brief courtship, Elinor marries a local aristocrat, Frederick Coombes. She learns too late that the Coombes family wanted her money for their estate and the only way she can stay in their good graces and have time with their heir, her young son Teddy, is to submit to disheartening efforts to mold her in their image. Thus, she is excited for the brief respite of a trip with her father, Frederick, and Teddy on the Titanic’s maiden voyage. That disaster, confusion, and huge loss of life give Elinor and Teddy a chance to disappear in New York and “find” a new family amongst the diverse immigrants there as Elinor assumes a new identity and learns new survival skills. [Swedish proverb: “You cannot prevent the birds of sadness from flying over your head, but you can stop them from nesting in your hair.”] THE LOST PASSENGER, billed as “the U.S. debut of an acclaimed British novelist,” made me think about another British author, Barbara Taylor Bradford, and her Harte family saga which began with the publication of A Woman of Substance over 45 years ago in 1979. That title is also a captivating story of a young, resilient woman who takes advantages of opportunities and makes a new life for herself.